|
This
article originally appeared in green@work,
May/June 2003.
William McDonough and Michael Braungart recently celebrated
the 10th anniversary of their groundbreaking manifesto,
The
Hannover Principles: Design for Sustainability with
the publication of a new, updated edition. This essay is
adapted from the new edition, which is available from William
McDonough + Partners and MBDC.
Just over a decade ago, when the City of Hannover, Germany,
asked us to develop a set of design principles for the 2000
World's Fair, design for sustainability was in its infancy.
While the desire to move toward a solar-powered world had
gained significant momentum among the environmentally conscious
by 1992, and the ideas that inform ecological design had
begun to manifest themselves in encouraging innovations
in "green" architecture and technology, a coherent
framework for applying sustainable design to all sectors
of society had yet to emerge. Imagining designs that celebrated
nature and technology, human health and vibrant commerce
was even further off the map.
The Hannover Principles were conceived to lay the foundation
for this hopeful, new paradigm. We knew at the time that
our efforts were just a first step. Though we were striving
to identify universal principles based on the enduring laws
of nature, we also understood that our knowledge of the
world was incomplete. So, too, was our ability to predict
all the many ways in which the creativity of the world's
designers, architects, business leaders, and NGOs would
push design for sustainability beyond the limits we could
imagine in 1992. Thus, we saw the Principles as a living
document - a set of enduring ideals and an open system of
thought that would evolve as it was put into practice.
And evolve it has. Our firms, and many others, continue
to use the Principles in their original form. Yet, as the
Principles are applied in the design process or used to
guide everyday decision-making, new ideas and practices
emerge. The language we use is a good example. Whereas some
of the Principles were originally expressed with urgent
"shoulds" and "musts," today we use
a more celebratory language that reflects our evolving goals.
Rather than aspire to a respectful co-existence with nature,
we aim to celebrate human creativity and the abundance of
the living earth with designs that create mutually beneficial
relationships between people and the natural world. The
Principle's basic tenets, however, continue to be the standard
for our designs. The result: the Principles remain an enduring
touchstone, their rigor drives innovation, and our sustaining
design paradigm continues to mature.
To those familiar with the Principles, they have become
common sense; to those just discovering them, it might be
useful to see how their application begets enormous creativity.
The generative power of Principle six provides a good example.
Principle six says Eliminate the concept of waste. In 1992
this was a radical new concept. Designers and engineers
were typically focused on reducing waste, on trying to be
"less bad." The conventional wisdom held that
using less energy and fewer materials and limiting the amount
of toxic chemicals released into the air, water, and soil
would guarantee a sustainable world. But Principle six demands
something entirely different. Rather than attempting to
mitigate the destructive effects of architecture and industry,
eliminating the concept of waste demands that we begin to
see our designs in a wholly positive light.
Pursuing that goal over the past decade has driven the
evolution of an entirely new approach to design. When one
takes seriously the idea that the concept of waste can be
eliminated in the worlds of architecture, commerce, manufacturing,
and transportation-indeed, in every sector of society-the
purview of design shifts radically. Not only are we obliged
to include the entire material world in our design considerations,
we are asked to imagine materials in a whole new way. In
today's world of trying to be "less bad," materials
typically follow a one-way path to the landfill or incinerator,
and waste managers intervene here and there to slow down
the trip from cradle to grave. But when we are no longer
content with simply managing waste more efficiently, we
can begin to create and use materials effectively within
cradle-to-cradle systems, in which there is no waste at
all.
Rather than seeing materials as a waste management problem,
cradle-to-cradle thinking sees materials as nutrients that
cycle through either the biological metabolism or the technical
metabolism. In the biological metabolism, the nutrients
that support life on Earth-water, oxygen, nitrogen, carbon
dioxide - flow perpetually through biological cycles of
growth, decay and rebirth. There are no waste-management
problems. Instead, waste equals food. The technical metabolism
is designed to mirror natural nutrient cycles; it's a closed-loop
system in which valuable, high-tech synthetics and mineral
resources circulate in an endless cycle of production, recovery
and reuse.
By specifying safe, healthful ingredients, designers and
architects can create and use materials within these cradle-to-cradle
cycles. Materials designed as biological nutrients, such
as textiles for draperies, wall coverings and upholstery
fabrics, can be designed to biodegrade safely and restore
the soil after use, providing more positive effects, not
fewer negative ones. Materials designed as technical nutrients,
such as infinitely recyclable nylon carpet fiber, can provide
high-quality, high-tech ingredients for generation after
generation of synthetic products-again, a harvest of value.
And buildings constructed with these nutritious materials
and designed to "fit" within local energy flows
articulate and enhance the connection between people and
nature. Already well established through the work of our
firms and our clients, cradle-to-cradle thinking represents
an ongoing revolution in design. Its source and sustenance:
The laws of nature adapted to human design in the Hannover
Principles.
When the Principles become practices, when industrial and
architectural systems are modeled on the earth's flows of
energy and nutrients, the notion that humanity must limit
its ecological footprint is turned on its head. Indeed,
as cradle-to-cradle thinking continues to be enriched by
the inspired work of our colleagues, we are increasingly
able to design products and places that support life, that
create footprints to delight in rather than lament. This
changes the entire context of the design process. Instead
of asking, "How do I meet today's environmental standards,
designers are asking "How might I create more habitat,
more health, more clean water, more prosperity, more delight?"
Questions such as these, emerging from the daily application
of the Hannover Principles, are stimulating the worldwide
evolution of cradle-to-cradle design. They are driving a
growing movement of principled designers who are deeply
engaged in developing safe materials, products, supply chains
and manufacturing processes that allow us to celebrate human
creativity and the world's natural abundance. In fact, just
one year after the publication of the original edition of
The Hannover Principles, we had the opportunity to develop
a cradle-to-cradle upholstery fabric, Climatex Lifecycle,
which is produced with completely safe ingredients and biodegrades
after use. The design and production of Climatex Lifecycle
transformed a factory burdened with toxic wastes into one
with only positive emissions, signaling the real-world efficacy
of "waste equals food."
Just so, The Hannover Principles and cradle-to-cradle thinking
are moving nations as vast and influential as China to begin
to apply the intelligence of natural systems to their development
plans. They are guiding the design of community plans that
connect people to nature and to each other. They are inspiring
the design of buildings like trees, which harvest the energy
of the sun, sequester carbon, make oxygen, distill water
and provide habitat for thousands of species.
And more. Imagine everything we do or make as a gesture
that supports life, inspires delight and expresses intelligence
in harmony with nature. Imagine buildings with on-site wetlands
and botanical gardens recovering nutrients from circulating
water. Fresh air, flowering plants and daylight everywhere.
Beauty and comfort for every inhabitant. Rooftops covered
in soil and plants nourished by falling rain. Birds nesting
and feeding in the building's verdant footprint. Imagine,
in short, buildings as life-support systems in harmony with
energy flows, human souls and other living things.
Inspired by the Hannover Principles, architects at William
McDonough + Partners have already designed buildings such
as these. From an environmental studies center on the campus
of Oberlin
College to the corporate offices of Gap
Inc.; from the Herman
Miller "GreenHouse," a factory where you feel
you've spent your day outdoors, to the Museum
of Life and the Environment, which explores the deep
connections between natural and cultural history both in
the Appalachian Piedmont and beyond - today's cradle-to-cradle
designs are testaments to the lively relationship between
principles and practices.
And we are now seeing the Principles influence the work
of a host of influential companies. Ford
Motor Company has launched the cradle-to-cradle renovation
of its famous Rouge River industrial site with a new manufacturing
facility, a factory with a living roof and a landscape of
wetlands and swales that naturally purifies storm water
runoff. Ford also introduced in 2003 the Model U, the world's
first automobile designed to embrace the cradle-to-cradle
vision.
Other business leaders are following suit. Shaw Industries,
the largest producer of commercial carpet in the world,
has begun to apply the Hannover Principles and cradle-to-cradle
thinking to the company's product development process. Working
with MBDC, Shaw is doing a scientific assessment of the
material chemistry of its carpet fiber and backing to ensure
that every ingredient is safe. The result: an infinitely
recyclable, completely healthful carpet tile made from true
technical nutrients that eliminate the concept of waste.
Clearly, cradle-to-cradle design makes good sense economically
and socially. This is especially visible in the workplace.
When designs for large-scale factories and offices are modeled
on nature's effectiveness, they generate delightful, productive
places for people to work. This not only encourages a strong
sense of community and cooperation, it also spurs enormous
leaps in productivity and allows efficiency and cost-effectiveness
to serve a larger purpose.
Consider: Ford's living roof and constructed wetlands revitalize
the landscape while filtering stormwater runoff for $35
million less than conventional technical controls. Herman
Miller's GreenHouse generated increased worker satisfaction
and productivity gains of 24 percent, which paid for the
$15 million building in a single year. The Gap, Inc. building,
maximizing local energy flows, exceeds California's strict
energy requirements by 30 percent. By aiming to maximize
positive effects, these designs outperformed buildings that
set efficiency as their highest goal.
The principles of cradle-to-cradle design can be applied
to entire cities and regional plans. Working with the City
of Chicago, WM+P drew upon the example of the Hannover Principles
to serve Mayor Richard Daley's quest to make Chicago "the
greenest city in America." The Chicago Principles,
which will be announced in 2003, will provide a reference
point as the City develops community plans and cradle-to-cradle
systems that will make it a national model of how industry
and ecology, nature and the city can flourish side by side.
Looking ahead, we see Chicago becoming a hub of green manufacturing
and transit, energy effectiveness, and cradle-to-cradle
material flows. A place in which every material moves in
regenerative cycles, from city to country, country to city,
all the polymers, metals, synthetic fibers and communications
software flowing safely in the technical metabolism, all
the photosynthetic nutrients flowing in the biological metabolism.
All of which adds up to flourishing human communities, places
that generate and enjoy an abundance of ecological, economic
and cultural wealth.
There is really no end in sight - and that's the point.
As we seek constant improvement by the sharing of knowledge,
as our understanding of the world evolves, the Hannover
Principles will continue to be our touchstone and inspiration
for new designs. This process, merely a decade old, has
already created hopeful changes in the world and is transforming
the making of things into a regenerative force. Ultimately,
we believe the principled practice of design will lead to
ever more places and ever more products that honor not just
human ingenuity but harmony with the exquisite intelligence
of nature. And when that becomes the hallmark of good design,
we will have entered a moment in human history when we can
truly celebrate our kinship with all life.
|